GULLY FrESH on the MIX

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GULLS - "BE REAL" mixtape!

[audio:gulls_BeReal.mp3]

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-Fresh for the speakers. There is slew of new material to slowly unveil
in the months to come.This mix represents a spattering of new and old Gulls musics.
The now sounds. Most of this Music was recorded in real time, live on the mix.
In true analog style. Remember... real life AUX sends???
The best friend in my studio right now is a TAPCO 4400 spring reverb!
..I'm tellin ya!!!

Hope you enjoy!

-gulls

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Strategy talks ‘The Process’

green: Dave Wright handmade tube over-driver, red: Electro-Harmonix deluxe memory man, yellow: Digitech  PDS series sampling delay (broken), blue: high-pass resonant filter in mini-Doepher modular, orange: Vermona spring reverb

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A While back we dropped a sneak peak of the new Strategy 7″ NOISE TAPE REGGAE

After I did that post, Paul (Strategy) and I were having a hard core nerd-sesh, talking about DUB style effects routing, and the details of a 4 track cassette deck as a loop player. I asked him if he would draw a blueprint of his set up and provide a sort of verbal road map to walk us all through this beautifully analog process.

Thus the idea to start a nerdy Gear Geek out style post tradition here at BOOMARMNATION.

Ill pass it over to Paul…. big ups for the great explanation and fantastic drawing!

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Strategy “Noise Tape Reggae”

“A four track is the heart of this setup, used with tape loops within a cassette. There are a lot of different cassette loop types, but this particular one was developed in the 1990s by my friend David Chandler (aka Solenoid, DJ Brokenwindow, Mr Pharmacist). He issued loop cassettes, a release on his Pharmacy label of 99 tapes, which came with his own sound on there but was intended in part as a tool for experimental musicians. David experimented with tape lengths until he figured out two lengths which provide a near-perfect tension without breaking or stretching the tape or impeding motion of the tape through the spindles of the cassette. He described his project in Thumb zine and that information is reproduced here:

http://www.cementimental.com/tapeloop.html

A four track is used for two reasons; variable speed (pitch knob) and being able to create four loops per cassette, greatly expands the musical potential. The four track that I use has 8 inputs and four independent outputs. For tape splicing, I obtained a new old stock Radio Shack brand tape cutting block, which has grooves not only for 1/4″ tape (such as you would find at your local studio supplies shop), but 1/8″ cassette tape as well.

For Noise Tape Reggae, part of the process was accidental. Friends have been giving me old cassettes to recycle into loop tape material. This tape had some reggae on it, Augustus Pablo but I’m not sure which songs/albums. Where I had been recording my own loops, in this case I used the material native to the splice of tape I had arbitrarily cut. This only occupied two tracks, so I bounced audio out to effects and back into tracks 3 and 4 to fill those tracks with more sound.

For “performance” of the loop material, I ran each track into a separate input of a portable mixer. Then I reproduced the “dub” methods inspired by the reggae on the tape (well, I work this way most of the time anyways…) by dedicating both auxiliary sends of the mixer to chains of effects which I could musically tweak in rhythm with the tape loops. The first chain features a Dave Wright (of Not Breathing) one-of-a-kind tube preamp/distortor, followed by Memory Man and old school Digitech delays. This is the dirty channel, extremely overdriven, with wobble provided by the Memor Man’s vibrato feature. The second channel is a clearer, the audio is highpass filtered using a Doepfer multi-mode filter, modulated by an LFO. This is then run through a Vermona spring reverb unit. The dry tracks are mixed with the effect tracks, although the effect tracks are the primary motion and interest in the tracks.

The followup to this is Noise Tape Deadheads, part two of a trilogy of 7″ singles for Entr’acte based on cassette loops. Inkeeping with the first, I used only “found” source material. In this case, my friends and bandmates Michael and Sarah Hamilton-Braun gave me a handful of Grateful Dead tapes they found in a free box on the street. These yielded a wide variety of sounds in spite of pretty degraded tape material. I’m not sure yet what the third will be; it really depends on what tapes I find or am given.”

-Strategy march 2009

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..AND HERE’S SOME EXCLUSIVE TRACKS FROM STRATEGY’S VAULTS WHICH UTILIZE THE CASSETE LOOP METHOD.  ENJOY!

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Strategy – “Awesome Piano”

[audio:AwesomePiano.mp3]

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Strategy – “Ominous Lovely Piano”

[audio:OminousLovelyPiano.mp3]

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Strategy – “Hobogblin”

[audio:Hobgoblin.mp3]

fffFresh dust. from STRATEGY

….”NOISE TAPE REGGAE”….

A very nice new 7″ from Portland’s own STRATEGY .. (AKA) Paul Dickow.

This music was made using repurposed dusty old reggae mix tapes spliced into loops played back on a 4 track. Mixed live, and processed live using only the finest of analog equipment.

This record is a beautiful adventure of familiar old sounds filtered through a new lens. Dubby fuzzy layers, lots of delicious spring reverb, and some heavy bass. All are very present indeed.

The B side puts me into an unknowing transcendental heavy lidded state every time i listen..

try it at33rpm..? its nice at both.. always a plus!

The vinyl comes in a sealed plastic sleeve. very sexy, took me a week just to break the seal, it looks so nice.

courtesy of the UK based Entr’acte label.

.. buyable HERE

These excerpts are really just teasers… for the full open blooms you gots to buy it!

A : side – “Repurposed Dub” – Noise Tape Reggae – STRATEGY

[audio:repurposeddubexerpt.mp3]

B: side - "Taper's Rock Dub" - Noise Tape Reggae - STRATEGY

[audio:tapersrock excerpt.mp3]

..BOOMARM MEGA MIXX.. vol.1..!

FRESH OF THE MIXING DESK! THE BOOMARM FAMILY MEGA MIX IS HERE!

megamix2.jpg
“Boomarmin” – BOOMARM SUPER MIX-vol1 by BoomArmNation
WHAT IS IT??— For the jump off celebration of this exploration in blogging as a form of sonic community building. We looked to a local crew of PDX sonic pushers. dropped a folder of cumbia and dancehall flavored loops into there inboxes. And challenged them to make a 40-60 second mix/version inspired or drawn from the loops. The 15 mixes received were spun by myself (JMJ Gigante / Gulls) into a tropical flavored PDX mix. Its a 12 and a half minute ride of serious grooves , bass drops, glitch, and heavy sonic spaces… Mad thanks and props to the participant PDX boomarm family!

THE LOOPS– To give you some context.. here are the loops that each artist recieved as a base for there constructions.

The frist is a loop taken from the song “La Samaria” by Colombia’s Orquestra Nunez- From the fantastic SoundWays compilation
“COLOMBIA! THE GOLDEN AGE OF DISCO FUENTES
.

BOOM CLICK>> CUMBIA LOOP

The second is a Dancehall/Grime inspired riddem from Gigante’s sampler…..

BOOM CLICK>> RIDDIM LOOP

Beyond these…. every thing else you hear is the left to the individual and their version. BAm.!!! Feel this fire..!

TRACK LIST–

1- INTRO (gigante mash)

2- TOTAL ABDUCTOR

3- STRATEGY

4- OXYKITTEN

5- DR. DIESEL

6- THE THRIFT SHOP SAMPLER

7- RBLU

8- ORQUESTRA NUNEZ – GIGANTE REMIX

9- MICHAEL BRUCE

10- PAUL WIG

11- GULLS

12- ORQUESTRA NUNEZ

13- STUDIO GEORDIE

14- NEGLECT

15-AUDIOCRIP

16- IFSH

17- JIPPEDO
“Boomarmin” – BOOMARM SUPER MIX-vol1 by BoomArmNation

((((((((((((((((((******DOWNLOAD IT*****)))))))))))))))))))

THIS IS A CALL TO THE WORLD , KNOW THIS… THE UNDERGROUND IN PDX IS ALIVE AND WELL. WE ARE NOT BREAKING RULES, BECAUSE HERE THERE ARE NONE. ITS ALL LOVE AND RHYTHM UP IN HERE. PLEASE LISTEN AND ENJOY.—!

Peace! JMJ